T H E T T R A V I S/ B E A U J O L A I S T Q U A R T E T

Lazy Days  
mp3      
Life in Sand 
mp3      
Everything Matters  
mp3      
Conclusion/Beginning 
mp3      

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The Travis/Beaujolais Quartet  

Formed in 2000 by saxist/flautist Theo Travis to fulfil 2 ideas simultaneously. One was to have a collaborative Anglo/German band inc. a drummer from Hamburg that Theo plays with over there. The other was to have a band together with me. Theo had always wanted to be in a band using vibes so that he could use the combination of flute & vibes. We'd often talked about doing something together & although for years on & off we've guested in each others bands we'd never recorded together.

In June 2000 the band did a tour under the name of Theo Travis' Berlin Vibe which was not only a great success but also lead to us being offered the chance to record an album for Symbol Records. This all happened fairly quickly & by December 2000 we were in the studio recording an album of tunes, most of which had been written by Theo & I especially for the album.

 

Soon after recording the album, Theo suggested we changed the name of the band to the Travis/Beaujolais Quartet. Most musicians (as well as most people) like to hog the limelight. It's a credit to Theo that he was willing to give me equal billing. What a great guy!

The quartet have had some great reviews (printed below) & in May 2002 did a 10 date tour including the Llangollen Jazz Festival.

Produced & arranged by Theo Travis & Roger Beaujolais, "BERLIN VIBE" was released Oct 2001 on Symbol Records.

The Travis/Beaujolais Quartet: Berlin Vibe

Released October 2001 on Symbol Records. Catalogue No. SR20001201
  1. Everything Matters (Theo Travis) mp3
  2. Life in Sand (Theo Travis) mp3
  3. Lazy Days mp3
  4. Conclusion/Beginning (Anthony Cox) mp3
  5. Some Things Just Happen
  6. Two of a Kind (Rob Statham)
  7. It's About Time
  8. Bag's Groove (Milt Jackson)
  9. For Those Who Dream
  10. Lark in the Dark (Theo Travis)
  11. Flash in the Pan

All tunes written by Roger Beaujolais except where stated.

Featuring:
Theo Travis: tenor & soprano saxes, flute
Roger Beaujolais: vibes
Stefan Weeke: double bass
Bjorn Lucker: drums

Produced & arranged by Theo Travis & Roger Beaujolais.
Recorded & mixed December 2000 at Red Gables Studios engineered & mixed by Dick Hammett. Released Oct 2001.

Catalogue No. SR20001201
Reviews  
From 'Jazzwise' (Nov 2001) by Alyn Shipton, the review gave us 4 stars (out of 4).

"Fresh original music from two of Britain's best soloists, teamed with a pair of star players from Hamburg, bassist Stefan Weeke and drummer Bjorn Lucker. Travis is not afraid to experiment with structure - why not use drums to close a lengthy original? - and his flute playing goes from strength to strength. The blend of flute and vibes gives the quartet an airy, ethereal sound, and this carries over to the tracks where Travis plays soprano or tenor. And, although it's hard to do, he catches the energy of his live sets, especially the way he builds from a gentle bluesy opening to the climax of his own "Lark in the Dark". Both UK contributors hold their own as composers, too, notably Beaujolais' ballad "For Those Who Dream"."

From 'Tablet Jazz Reviews' by Chris Parker

"...... on everything from classy blues (Milt Jackson¹s "Bags' Groove") to freeish material (Anthony Cox¹s "Conclusion/Beginning"), plus a few cogent band originals, he (Theo) plays flute, soprano and tenor, joined by the fluent but powerful vibes player Roger Beaujolais and the German rhythm section featured on some of Heart of the Sun, bassist Stefan Weeke and drummer Björn Lücker. Two highly accomplished releases from a mature, thoughtful talent.

From 'The Birmingham Post'

There are certain combinations of instruments not heard often enough, and the flute/vibes front line is one of them. Saxophonist Theo Travis switches to the long thin silver thing on a number of tracks to complement his co-leader Roger Beaujolais's vibraphone, and they are joined by a German rhythm team for this thoroughly satisfying session of melodic improvisation both on original themes and the odd old warhorse like Milt Jackson's "Bag's Groove". The joy and satisfaction both leaders get from bouncing ideas off each other is clear and augers well for a more lasting partnership.

From 'The Scotsman' by Kenny Matheison

Travis composes real tunes, nicely varied in mood and setting, and with shapely melodies underpinned by strong harmonic and rhythmic structures……... Travis invariably finds something both surprising and satisfying to say on any given piece, and has a beguiling, richly burnished tone on tenor saxophone to complement his intelligent musicality.

From 'The Guardian' by John Fordham

Travis' spinning of sax adventures around a core of bluesy soulfulness has made him an engaging communicator.

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